Within museum display cabinets, Dusadee Huntrakul presents a site-specific installation A Verse for Nights showing his works of various mediums together with artifacts and fossils. Through subtle details and humorous undertones, the installation functions like a long sentence that narrates a tale of humanity's evolution, urging us to contemplate our place within this expansive timeline. The artist’s story perhaps starts from the beginning of the universe, or even before the asteroid hit the Yucatan gulf, and brings us to prehistory, to the present, then beyond. The language of this installation, fragmented with historical echoes and pauses, akin to a nighttime poem of interconnectedness.

Curated objects such as Ban Chiang bracelets and Judd-inspired shelves reference Huntrakul's previous works, paying homage to humanity's inherent capacity for artistic expression and storytelling. Broken hands and pottery fragments allude to the pivotal role of our hands in crafting tools, rituals, furniture, and weapons - the earliest technologies that set us apart and has driven our progress for thousands of years. Seashells casted from those collected from Pattaya beach, likely over a century old, would have witnessed the peak of the area as a tropical paradise during the Vietnam war. Juxtaposed with contemporary items, like colored pencils, the artist reminds us that today's mundane objects will become tomorrow's artifacts, and traces the journey of culture through time, leading us into the future with a sculpture of a multiple-tailed lizard, images of UFO encounters, and his six-year-old son's drawings.

Huntrakul has exhibited internationally, including Singapore Biennale 2019; Thailand Biennale 2018; SUNSHOWER, Mori Art Museum (Japan, 2017), among others.