WISHULADA creates artwork from waste materials to raise public awareness in waste issues and to inspire them to effectively reuse their materials for maximum benefit in accordance with the circular economy concept. She believes that “Art can change people’s ideas and ways of living” as every creative idea defines how to use all resources in the world. WISHULADA uses creative thinking process along with comprehensive operational planning from the upstream with concern and care for waste reduction to the downstream with waste management for new value, partly mobilizing mechanics for the development of sustainable future.

In The Beauty Myth and Consumption of Plastic Poem of Contemporary Tragedy series, WISHULADA asks us to be concerned of overconsumption. In Plastic Confinement, many monsters are confined by plastic bags of various colors, like a voiceless poem on how the materialistic spirit is overpowering and devouring our society. Some monsters fight against it; others succumb. Their extra organs look distorted and nightmarish, an abnormal consequence of overconsumption. This reflects how our society is plunging into an abyss of unsustainability. In the mayhem, some monsters start to break free from the plastic bags, losing their extra organs. It’s a sign of their awakening, beginning of change and search for a path towards sustainable consumption for the future of our world.

WISHULADA has constantly exhibited her works in art festivals including: Sustainable Map, 2023 (Presented by Joyman Gallery, United Nations ESCAP, Bangkok); Sustainable Map, 2022 (VOLVO Studio, Bangkok); Spirit of Nature, 2023 (Wonderfruit Festival, Pattaya); Overflow, 2023 (Museum Siam, Bangkok); Art Installation, 2024 (BACC Art Trail of Bangkok 242: A Space for Sharing exhibition, Bangkok Art and Culture Centre); Wire Puller, 2022 (Greenpeace Thailand, Bangkok) and Adaptation, 2024 (Noble Play, Bangkok).