Prasong Luemuang primarily creates works of art in relation to rural life and local culture and with the mingling of Buddhist philosophy and lifestyle beliefs. Later, he has paid more attention to self-reflection: reflecting birth, aging, illness, death, and the four elements through his intensive meditation practice. He has stayed away from everything around and turned to focus on studying Buddhism, especially meditation practice. His works emphasize diverse feelings and emotions. Some go into deep details and delicacy, while others express fierce and violent emotions, making his works diverse in concept and expression.

For the "Saṃsāra" series, it conveys ferocity through the black and white. At the same time it contains subtlety with details hidden in every element. The concept is that all things, living beings, minds, and consciousness in this universe are born, live, and die as in the circle of birth. Due to lust, clinging, ignorance and lack of awareness or insight into reality, this circle will repeat endlessly. The practice of setting body, speech, and mind in their natural state will create morality, concentration, and wisdom that lead to cleanliness, brightness, and peace. This contributes to destroying the darkness of ignorance and getting free from all ties completely.

“Because of ignorance and not getting down to the facts of the Four Noble Truths, I and you all have to wander in the cycle of existence for such a long time.”

Important awards received during his undergraduate studies include the First Class Honors Certificate, Gold Medal (Painting) for “Lamnam Arahat” in the 34th National Art Exhibition (Bangkok, 1988). He has had numerous exhibitions, such as “60 Years of the Price of Being a Person” (Chiang Mai Art Museum, 2022) and “Crass” (JWD Art Space, Bangkok, 2023). Currently, Ajarn Prasong still works on art every day in his hometown in Lamphun Province, Thailand.